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yearoftheglitch:

138 of 366
Dither Study In Motion with Water and Sky No. 3
Skies of Amsterdam at sunset captured using burst mode with a Canon 20D are animated and dithered using a color palette containing mostly violets and yellows.

yearoftheglitch:

138 of 366

Dither Study In Motion with Water and Sky No. 3

Skies of Amsterdam at sunset captured using burst mode with a Canon 20D are animated and dithered using a color palette containing mostly violets and yellows.

myampgoesto11:

Garth Britzman(POP)culture

Made from recycled plastic soda bottles

plantagenet:

The first sight of Qarth in Garden of Bones.

Claude Lorrain’s Odysseus Returning Chryseis to her Father (1644)

(via islandofthelosttoys)

The Surrealists once valorized the “imagination of the unconscious.” But, as the Situationists pointed out, a generation later: the imagination of the unconscious is impoverished.

Bruce Sterling, “An Essay on the New Aesthetic”

http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/

yearoftheglitch:

138 of 366
Dither Study In Motion with Water and Sky No. 3
Skies of Amsterdam at sunset captured using burst mode with a Canon 20D are animated and dithered using a color palette containing mostly violets and yellows.

yearoftheglitch:

138 of 366

Dither Study In Motion with Water and Sky No. 3

Skies of Amsterdam at sunset captured using burst mode with a Canon 20D are animated and dithered using a color palette containing mostly violets and yellows.

(Source: omocat, via winladen)

myampgoesto11:

Garth Britzman(POP)culture

Made from recycled plastic soda bottles

plantagenet:

The first sight of Qarth in Garden of Bones.

Claude Lorrain’s Odysseus Returning Chryseis to her Father (1644)

(via islandofthelosttoys)

The Surrealists once valorized the “imagination of the unconscious.” But, as the Situationists pointed out, a generation later: the imagination of the unconscious is impoverished.

Bruce Sterling, “An Essay on the New Aesthetic”

http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/

"The Surrealists once valorized the “imagination of the unconscious.” But, as the Situationists pointed out, a generation later: the imagination of the unconscious is impoverished."

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